{"id":6074,"date":"2024-09-10T14:12:36","date_gmt":"2024-09-10T12:12:36","guid":{"rendered":"https:\/\/www.skk-soest.de\/?page_id=6074"},"modified":"2024-09-21T13:02:17","modified_gmt":"2024-09-21T11:02:17","slug":"3d-stephan-marienfeld","status":"publish","type":"page","link":"https:\/\/www.skk-soest.de\/en\/3d-wegweisende-plastik-der-konkreten-gegenwart\/3d-stephan-marienfeld\/","title":{"rendered":"STEPHAN MARIENFELD"},"content":{"rendered":"\n<p>Stephan Marienfeld geh\u00f6rt zu einer neueren Generation von K\u00fcnstlern und Bildhauern, die sich auf die Ver\u00e4nderung von geometrischen Formen in ihren Werken konzentrieren. Seine Arbeiten zeichnen sich durch eine Kombination aus klaren Linien und lebhaften Farben aus, was ihnen eine einzigartige \u00c4sthetik verleiht.<\/p>\n\n\n\n<p>In der Kunstgeschichte gibt es eine lange Tradition der Verwendung geometrischer Formen, insbesondere in der klassischen Skulptur.&nbsp;Marienfeld setzt sich jedoch von dieser Tradition ab, indem er die Formen ver\u00e4ndert und neue, moderne Interpretationen schafft.<\/p>\n\n\n\n<p>Durch seine charakteristischen BONDAGE-Skulpturen wurde Stephan Marienfeld international bekannt.&nbsp;Er spielt mit der Spannung und W\u00f6lbung von Oberfl\u00e4chen und den daraus resultierenden Lichtreflexen, das macht seine Werke unverwechselbar, eigenst\u00e4ndig und markant.&nbsp;In seinen Skulpturen verbindet er Aluminium mit poppigen Farben und verwendet Bronze, um ihnen so eine gewisse Tiefe und Struktur zu verschaffen und sie zum Leben zu erwecken.<\/p>\n\n\n\n<p>Die technische Brillanz von Marienfeld\u2019s Werken und seine eigene, unverkennbare Formensprache haben dem K\u00fcnstler den Zutritt in renommierte, internationale Sammlungen ge\u00f6ffnet.<\/p>\n\n\n\n<p>Marienfeld\u2019s DISLIKES sind ein kraftvolles Statement gegen die gedankenlosen \u201aLikes\u2018 auf sozialen Medien.Die Skulpturen kritisieren die Vereinfachung von Meinungen und Interaktionen im digitalen Zeitalter und laden dazu ein, \u00fcber den Einfluss von \u201aLikes\u2018 auf unser Denken und Handeln nachzudenken.<\/p>\n\n\n\n<p>2019 waren sie zur Biennale in Venedig ein Blickfang am Eingang des Palazzo Mora, gefesselt an eine Palme und an einen Balkon.<\/p>\n\n\n\n<p>\/\/\/<\/p>\n\n\n\n<p>Stephan Marienfeld belongs to a&nbsp;younger generation of artists and sculptors who focus on the transformation of geometric shapes in their works.<\/p>\n\n\n\n<p>His works are characterised by a combination of clear lines and vivid colours, giving&nbsp;them a unique aesthetic.<\/p>\n\n\n\n<p>There is a long tradition of using geometric shapes in art history, particularly in classical sculpture. However, Marienfeld departs from this tradition by&nbsp;altering the forms and creating new, modern interpretations.<\/p>\n\n\n\n<p>Stephan Marienfeld became recognised internationally for his characteristic BONDAGE sculptures, in which he plays with the tension and curvature of surfaces and the resultant reflections of light. All this makes his works unmistakable, independent, and extremely striking. In his sculptures, he combines aluminium with bright colours and uses bronze to lend a certain depth and structure, so bringing them to life. This provides the viewer with a unique artistic experience.&nbsp;<\/p>\n\n\n\n<p>In his work, Marienfeld attaches great importance to aesthetics and colour combinations, making him a key contributor to the international contemporary art scene. The technical brilliance of Marienfeld&#8217;s art and his unmistakable formal language have led to renowned international collections acquiring the artist\u2019s work.<\/p>\n\n\n\n<p>His pieces have been exhibited internationally, including in Paris, Monaco, Aspen, New York, Dubai, Singapore, Hong Kong, Beirut, etc. Stephan Marienfeld remains at the forefront of contemporary painting, leaving an enduring mark on the art world.<\/p>\n\n\n\n<p><strong>DISLIKE<\/strong><strong><\/strong>Marienfeld\u2019s DISLIKES are a powerful statement against the thoughtless \u2018likes\u2019 on social media. The sculptures criticise the simplification of opinions and interactions in the digital age, inviting us to reflect upon the influence of \u2018likes\u2019 on our ideas and actions. In 2019, they were an eye-catcher at the entrance to Palazzo Mora at the Venice Biennale, roped to a palm tree and a balcony.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-1024x683.jpg\" alt=\"\" class=\"wp-image-5938\" srcset=\"https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-1024x683.jpg 1024w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-300x200.jpg 300w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-768x512.jpg 768w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-1536x1024.jpg 1536w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-960x640.jpg 960w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-450x300.jpg 450w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web-250x167.jpg 250w, https:\/\/www.skk-soest.de\/wp-content\/uploads\/Marienfeld-web.jpg 1771w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">DISLIKE yellow | 2024 |\u00a0Polyester, Lack, Seil | 80 x 60 x 45 cm<\/figcaption><\/figure>\n<\/div>\n\n\n<p><a href=\"http:\/\/www.stephanmarienfeld.de\">www.stephanmarienfeld.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stephan Marienfeld geh\u00f6rt zu einer neueren Generation von K\u00fcnstlern und Bildhauern, die sich auf die Ver\u00e4nderung von geometrischen Formen in ihren Werken konzentrieren. Seine Arbeiten zeichnen sich durch eine Kombination&#8230; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/www.skk-soest.de\/en\/3d-wegweisende-plastik-der-konkreten-gegenwart\/3d-stephan-marienfeld\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":5838,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-6074","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/pages\/6074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/comments?post=6074"}],"version-history":[{"count":3,"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/pages\/6074\/revisions"}],"predecessor-version":[{"id":6302,"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/pages\/6074\/revisions\/6302"}],"up":[{"embeddable":true,"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/pages\/5838"}],"wp:attachment":[{"href":"https:\/\/www.skk-soest.de\/en\/wp-json\/wp\/v2\/media?parent=6074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}