{"id":6100,"date":"2024-09-10T14:34:48","date_gmt":"2024-09-10T12:34:48","guid":{"rendered":"https:\/\/www.skk-soest.de\/?page_id=6100"},"modified":"2024-09-21T13:06:20","modified_gmt":"2024-09-21T11:06:20","slug":"3d-jo-schoepfer","status":"publish","type":"page","link":"https:\/\/www.skk-soest.de\/en\/3d-wegweisende-plastik-der-konkreten-gegenwart\/3d-jo-schoepfer\/","title":{"rendered":"JO SCH\u00d6PFER"},"content":{"rendered":"
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Relief (VI-21) | 2021 | Bronzeguss | 57 x 42 x 9,5 cm<\/figcaption><\/figure>\n<\/div>\n\n\n

Jo Sch\u00f6pfer erschafft mit seinen Bronzeplastiken und -reliefs K\u00f6rper und Kompositionen in einer klaren, der Minimal Art verpflichteten Formen- sprache, wobei sich die Werke in der Besch\u00e4ftigung mit Masse, Raum und Volumen formal h\u00e4ufig an der Grenze zwischen Bildhauerei und Ar- chitektur bewegen. Und dennoch wohnt den meisten Arbeiten durch die ungew\u00f6hnlichen Oberfl\u00e4chen etwas Organisches und Emotionales inne. W\u00e4hrend er seine Modelle aus verformbaren Stoffen wie Wellpappe, Holz oder Wachs baut, die beim Bronzeguss g\u00e4nzlich verbrennen, werden die Formen in starre K\u00f6rper \u00fcberf\u00fchrt. Dabei bleiben die Oberfl\u00e4chenstruktu- ren des urspr\u00fcnglichen Materials sichtbar erhalten.<\/p>\n\n\n\n

Viele Arbeiten verf\u00fcgen durch die Verwandlung des plastischen Kerns
in eine zum Raum hin ge\u00f6ffnete Form \u00fcber eine gewisse Leichtigkeit, womit der K\u00fcnstler den sich \u00fcber Masse und Volumen definierenden traditionellen Skulptur-Begriff aufbricht und filigrane Strukturen die
als das Dazwischen, als Form gebende Leerr\u00e4ume, Gestalt annehmen. Die Kombination aus harten, starren Materialien mit unterschiedlichen Oberfl\u00e4chen und die Rhythmik der Linien und Fl\u00e4chen, sowie die offenen, lediglich umschriebenen Volumen entfalten eine ganz eigene Kraft.<\/p>\n\n\n\n

Auszug aus: Nanna Preussners Vorwort, Jo Sch\u00f6pfer, Feststoffe, Hamburg 2021<\/p>\n\n\n\n

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In his bronze sculptures and reliefs, Jo Sch\u00f6pfer produces volumes and compositions using a distinct formal language indebted to Minimal Art; formally, the works are often located on the borderline between sculpture and architecture in their preoccupation with mass, space and volume. Yet there is something organic and emotional about most of the works due to their unusual surfaces. While the artist constructs his models from malleable materials such as corrugated cardboard, wood or wax, these are burnt completely when a cast is made in bronze, and their forms are transformed into rigid bodies. But the surface structures of the original material are still visible. <\/p>\n\n\n\n

Since the plastic core is transformed into a shape open to the surrounding space, many works have a certain lightness, whereby the artist breaks with the traditional concept of sculpture defined by mass and volume, and his filigree structures take shape as the in-between, as empty spaces bestowing form. The combination of hard, rigid materials with different surfaces, the rhythm of the lines and planes, and the open, merely circumscribed volumes unfold a remarkable, unique power.<\/p>\n\n\n\n

Excerpt from: Nanna Preussners, Vorwort (Foreword), in: Jo Sch\u00f6pfer, Feststoffe, Hamburg 2021<\/p>\n\n\n\n

www.joschoepfer.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jo Sch\u00f6pfer erschafft mit seinen Bronzeplastiken und -reliefs K\u00f6rper und Kompositionen in einer klaren, der Minimal Art verpflichteten Formen- sprache, wobei sich die Werke in der Besch\u00e4ftigung mit Masse, Raum… <\/p>\n

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